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Shore Scripts - Script to Screen

Shore Scripts - Script to Screen
ClosedShore Scripts

Shore Scripts - Script to Screen

Script to Screen is a 9 week directors initiative for writers with a desire to master the craft of directing. With the support of Oscar Winning filmmakers, participants will gain a complete understanding of how every choice a director makes shapes the story, providing a hands-on opportunity to explore the full journey of storytelling.

Packages

4 options

Season

2025/2026 - Script to Screen

Overview

Script to Screen is a 9 week directors initiative for writers with a desire to master the craft of directing.

You will gain a complete understanding of how every choice a director makes shapes the story. From framing a shot to guiding performances; pacing a scene to crafting the emotional rhythm of a film. With the support of award-winning filmmakers, participants will gain insight into the collaborative process, learn to think visually, and discover how to translate the nuances of dialogue, character, and theme into cinematic moments that resonate on screen.

Script to Screen will provide a hands-on opportunity to explore the full journey of storytelling.

○ 9 WEEK DIRECTING INITIATIVE ○ 8 OSCAR, EMMY & OTHER AWARD-WINNING MENTORS ○ MEET & LEARN HOW TO COLLABORATE WITH DEPARTMENT HEADS ○ NETWORK, FIND YOUR TRIBE, AND PRODUCE WORK ON ALL BUDGETS

○ 14 ONLINE PRACTICAL HANDS-ON LESSONS

Program image

Prizes

8 WINNERS WILL PARTICIPATE IN THE SCRIPT TO SCREEN INITIATIVE

8 Winners will take part in our career-changing Script to Screen Directing Initiative

With weekly sessions with Industry Leaders as well as prep calls and support from the Shore Scripts staff, each session in this unique 9 week program will cover distinct subject matters to help writers learn the craft and gain the confidence to direct.

10 ADDITIONAL FINALISTS

Will be invited to an ONLINE MIXER as part of the Script to Screen Initiative.

The mixer will include Shore Scripts Staff, Script to Screen Program winners, and special industry guests. Get your questions answered, network, and become part of a larger screenwriting community!

EVERY ENTRY

☑ WILL RECEIVE SHORT FEEDBACK ON AN ASPECT OF THEIR SCRIPT THAT IS WORKING AND AN AREA THAT COULD USE FURTHER DEVELOPMENT

☑ A FREE 18-PAGE BOOKLET ON HOW TO GET YOUR SCREENPLAY PRODUCED

Rules & Guidelines

01
* Script to Screen accepts the first pages of narrative Feature, TV Pilot, and Short scripts. This includes animation, web series, and proof-of-concepts.
02
* All genres are welcome.
03
* Scripts should be within 5-20 pages. NOTE: We cannot accept scripts under 5 pages or over 20 pages. This does not include the title page.
04
* Scripts will need to be uploaded as a PDF. Scripts should be properly formatted according to industry standards at size 12-point Courier. Please only include the script’s title on the cover page.
05
* Our Script to Screen Initiative is for writers who have an interest in directing.
06
* We welcome submissions from all countries. All scripts must be written in English.
07
* All ages and backgrounds welcome.
08
* Writing teams may enter.
09
* All submitted screenplays must be the writer’s original work or they own the copyright. If a writing team enters, both/all writers must consent.
10
* You may enter a script that has been submitted previously to one of our contests or funds.
11
* Each writer, or writing team, may not have earned more than $50,000 in screenwriting fees in the preceding 12 months. This clause is in place to help us support emerging talent. (Contest and Fellowship awards and writing fees received outside of fiction screenwriting do not count toward this total).
12
* If your script is optioned or purchased during the contest, then it will no longer be eligible for the contest.
13
* Shore Scripts staff, associates, and judges are ineligible to enter Script to Screen.
14
* You may enter as many scripts as you wish. Each submission requires a separate submission fee. Discounts are available for multiple submissions. Please Contact Us for further information on our discounts.
15
* You may enter a newer draft of an already submitted script at a 70% discount. More information can be found on the Resubmissions page. To obtain a discount code to make a Resubmission, please email us at [email protected].
16
* The Shore Scripts team will choose our Script to Screen winners and finalists.
17
* The decision of Shore Scripts is final. By applying to Script to Screen each participant agrees to hold Shore Scripts, our judges, and sponsors immune from any competition disputes, claims, liabilities, and expenses.
18
* The winners and finalists consent to Shore Scripts using their name, script title, and any other relevant information for promotional purposes. This will be used to inform other contestants and the media of the results.
19
* If Shore Scripts helps a writer gain representation, option, sell, or have their screenplay produced, then we are entitled to state this on our website and any other platforms whenever we see fit.
20
* By entering a Shore Scripts fund or contest, you authorize us to use any trusted third-party online, cloud-based, and email services and databases for hosting, managing, and/or sending/transmitting your submission file(s).
21
* Shore Scripts shall have no ownership, authorship, or other rights whatsoever in any screenplay submitted to us; all rights shall remain solely and exclusively with the writer.
22
* If we see fit, we can extend the final deadline for the competition.

Jury

NORA KIRKPATRICK

NORA KIRKPATRICK

WGA NOMINATED WRITER/DIRECTOR

Nora Kirkpatrick did what her parents told her not to do, and joined a rock band. This band, Edward Sharpe and The Magnetic Zeros, won a GRAMMY, a gold record, and toured the world. Upon leaving the group, she sold shows to CBS, Hulu, Paramount and Comedy Central, among others. Her debut feature, A Tree Fell In The Woods, starring Josh Gad, Alexandra Daddario, premiered at the Tribeca Film Festival. She was recently a writer on Amazon’s Emmy and Golden Globe nominated hit series, Daisy Jones and the Six where she received a WGA nomination.. She is currently here second feature, Whodunnit. Nora is also an actress, having played many roles in film and TV, including roles in Shrinking and The Office.
GOTHAM GROUP

GOTHAM GROUP

MANAGEMENT & PROD COMPANY

The Gotham Group is a prominent, woman-owned Hollywood management and production company representing top creatives and producing successful films like The Maze Runner and Kodachrome. They are known for nurturing storytellers across animation and live-action, offering deep client relationships and strategic career guidance.
NAT DIFFORD

NAT DIFFORD

HEAD OF FILM DEVELOPMENT

CINEREACH

Nat Difford is a British/American award-winning producer, script consultant, development executive. She is the Head of Filmmaker Development at the non-profit production company, Cinereach (Marcel the Shell, Sorry To Bother You, Beasts of the Southern Wild). As a consultant, Nat has run workshops for the European Film Market (EFM), led masterclasses for Film London, NYU, among others. Nat is on the advisory board for SXSW, is a proud awardee of Jezebel’s ‘Amazing and Kickass Women’ and is always looking for new ways to help nourish and hone ambitious visions.
JODY LEE LIPES

JODY LEE LIPES

EMMY NOMINATED CINEMATOGRAPHER

Jody Lee Lipes is an Emmy and Independent Spirit Award-nominated director of photography. He has worked with numerous acclaimed directors including: Derek Cianfrance on the Emmy-winning limited series “I Know This Much Is True” starring Mark Ruffalo; Kenneth Lonergan on the Oscar-winning “Manchester by the Sea” starring Casey Affleck; Marielle Heller on the Oscar-nominated “A Beautiful Day in the Neighborhood” starring Tom Hanks; Sean Durkin on the Emmy-nominated limited series “Dead Ringers” starring Rachel Weiss and the Sundance Film Festival Best Director Award-winning “Martha Marcy May Marlene” starring Elizabeth Olsen; Lena Dunham on the Independent Spirit Award-winning “Tiny Furniture” and the Emmy-winning “Girls“; Tobias Lindholm on the BAFTA and Golden Globe-nominated “The Good Nurse” starring Eddie Redmayne and Jessica Chastain; Judd Apatow on the Golden Globe-nominated “Trainwreck” starring Amy Schumer.
DAN JINKS

DAN JINKS

OSCAR WINNING PRODUCER

Dan Jinks is an Oscar-winning American film and TV producer, known for hits like American Beauty, Big Fish, and Milk. He’s produced TV shows like Pushing Daisies. In 2010, he established his own company, The Dan Jinks Co.
BASIL KHALIL

BASIL KHALIL

OSCAR NOMINATED DIRECTOR

Academy Award & Palme d’Or nominated writer and director Basil Khalil was born and raised in Nazareth. His debut feature A Gaza Weekend premiered at the Toronto Film Festival, winning the FIPRESCI prize. Previous to that he co-wrote and directed the short film Ave Maria that premiered in the official selection at the Cannes Film Festival and went on to receive an Oscar nomination. Basil studied for an MA script development at Screen Academy Scotland, in Edinburgh, then worked on a number of television productions in London.
CHRIS LEBENZON

CHRIS LEBENZON

OSCAR NOMINATED EDITOR

Chris Lebenzon is a renowned, Oscar-nominated film editor known for his extensive work on major blockbusters, particularly his frequent collaborations with directors like Tony Scott, Tim Burton, and Michael Bay, earning him two Oscar nominations. Starting in the late 70s, he’s worked on nearly 40 films, becoming a key figure in Hollywood, establishing himself as a celebrated editor with a distinctive style. The films he has edited have grossed over $10 billion worldwide.
SARAH EAGEN

SARAH EAGEN

WRITER AND DIRECTOR OF CONTESTS

SHORE SCRIPTS

As the Director of Contests, Sarah Eagen brings a wealth of experience and passion for helping screenwriters break into the industry. With a background in leading screenwriting competition brands and as a screenwriter herself, she is dedicated to creating opportunities that elevate emerging talent. Her extensive screenwriting experience includes work in writers' rooms for top companies such as Paramount, Amblin TV, Generation Genius, Voxx Studios, and the CW, and her work has been read at companies such as Netflix, Legendary TV, Hallmark, and Brownstone Productions. Her own scripts have advanced in NBC Writers on the Verge, Austin Film festival, NYTV Festival, and more. She brings a rich network of connections that she can leverage to provide invaluable guidance and opportunities for up-and-coming screenwriters.

Frequently Asked Questions

Can a writer team enter?

Absolutely. However, both/all writers must consent.

Can I enter more than one submission?

Yes. We offer multiple submission discounts starting at 2 submissions:

2 Submissions = 10% Discount
3 Submissions = 15% Discount
4 Submissions = 20% Discount
5 Submissions = 25% Discount
6 Submissions = 30% Discount
7 Submissions = 35% Discount
8 Submissions = 40% Discount

Discount coupon codes are issued by email and can be used for Standard entries made via our website across all our contests running in the same calendar year. Submissions must be made before each contest’s Final Deadline and these discounts cannot be used for the purchase of submissions + feedback/coverage reports. Please email us at [email protected] to obtain the appropriate discount coupon code to use BEFORE making your submissions or to obtain a retrospective discount.

Can I enter the same script I’ve entered previously into a Shore or other contest?

Yes

Can I include supplementary material along with my script?

Not with your initial submission. Only the script. if you are shortlisted as a Quarter-Finalist, then you will be given the opportunity to submit a full length script and/or additional material.

Can I submit a newer version of my script?

Yes, you may re-enter an updated draft of a submission made earlier. There will be a small fee involved. To find out more tap this link to visit our Resubmission page. Links to the Resubmission page can also be seen using the button on the contest page.

Can I submit an adaptation?

Yes, but only if you own the copyright or the rights are in the public domain.

Do I need to have directed before or have a track record to be part of Script to Screen?

No. Absolutely not. You only need to have an interest in directing. However, it’s also fine if you have directed before.

Does Shore Scripts ever have any rights over my work?

No. You wrote it, it’s yours! We will never have any rights over your work.

How does the reader process work?

Once your script has been submitted, it will be logged on our system and made available to the Reader Team. You will receive your short feedback on the announcement date. Feedback is collated and discussed internally as we decide which scripts will progress to the next round.

How will I be informed of contest developments?

All applicants will be informed via email regarding placings, at each stage of the contest. These results will also be on our website.

How will I know when you have received my submission?

You will receive an email from our contest submission platform. Once Script to Screen has closed, we will email everyone who has entered with all the announcement dates. We will keep you informed throughout the year. It’s also worth signing up for our Mailing List.

If I add coverage to my submission, how long will it be before I receive that?

If you have added coverage to your submission, it will be returned to you prior to the first placement announcement date of the specific contest. However, coverage reports are typically returned much sooner, depending on how busy we are and depending on when the script was submitted (i.e. there is typically a heavy influx of submissions on/around deadline dates).

If you would prefer to receive your coverage report within our typical 3-5 day turnaround, we recommend submitting your script for our coverage services separately from any contest submission.

If my script is under or over the requested page count, will I be disqualified?

Yes. It needs to be within 5-20 pages to be considered.

My script isn’t copyrighted…

It doesn’t need to be. But if you feel more comfortable doing so, you can do it here at the WGA.

What are the Script to Screen submission dates and fees?

EARLY DEADLINE – JAN 19TH | $39

REGULAR DEADLINE – FEB 23RD | $49

FINAL DEADLINE – MARCH 30TH | $59

What do I include on the Title Page?

Just the Script Title. That’s all we need.

What sort of stories are you looking for?

We are looking for stories that move us. Your script can be about any subject in any genre. It’s all about the quality of the writing and whether the writer has a distinct voice.

Why do scripts need to be between 5-20 Pages?

Script to Screen is all about identifying unique talent that will be right for this initiative, which is why we wanted to open it up to short and feature length screenwriters. As we all know, the first act is crucial in setting the scene, characters, world, and grabbing the attention of the reader and hopefully down the line, the audience. Our readers will be able to ascertain a writers talents, and whether they should progress to the next stage, from these pages. 

Writers who are shortlisted as Quarter-Finalists will then be able to upload full length scripts and/or addtional material that will be reviewed (at no extra cost). 

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